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Visualizzazione post con etichetta Images. Mostra tutti i post

giovedì 6 febbraio 2014

Gingerbread Cottage in Historic Mount Tabor

Gingerbread Cottage in Historic Mount Tabor
This one-bedroom gingerbread cottage is so colorful and quirky that it made me smile. You don’t see houses like this very often!

It was built in 1871 and is on the market in the Historic Mount Tabor neighborhood of New Jerse.

Decorative ironwork, ornate woodwork and whimsical details throughout. Double door entry to LR w/amazing plaster ornaments, stained glass in baywindow nook and beamed ceiling w/antique pendant lights.

Wood brng stove. HW flrs throughout FF. Gingerbread arch into DR & Kit. Updated Kitchen w/Corian ctrs, cherry cabs, door to yard, Powder Room. DR slate fireplace backing, picture window.

Oak stairs w/antique carved oak niche for display. Wide plank heart pine flrs on 2nd level. MBR w/Sitting Area/poss 2nd BR. Ornate gingerbread arch w/glass details btwn. rooms. MBR features loads of light from cupola skylight and double doors to the beautiful balcony.

Remod. Bath w/antique ovrszd ped. sink & claw foot tub. Serene Yard w/iron gazebo, perennial plantings.

Photos of Gingerbread Cottage in Historic Mount Tabor:

Gingerbread Cottage in Historic Mount Tabor
Gingerbread Cottage
Interior of Gingerbread Cottage

sabato 1 febbraio 2014

Victorian Easter Cards

Find the largest selection of victorian easter card.

Everyone loves to receive a special message in the mail from loved ones, and our collection of old-fashioned cards, postcards and stickers will help you express your warmest Easter greetings with a distinctive, traditional flair.

Easter Greeting Card




Easter Victorian Card


Easter Victorian Card

giovedì 30 gennaio 2014

Kimberly Crest House and Gardens

Kimberly Crest House & Gardens
Kimberly Crest House and Gardens is a French château-style Victorian mansion located in Redlands, California. The property is a registered California Historical Landmark and is listed on the National Register of Historic Places.

Kimberly-Shirk Association is dedicated to the preservation of Kimberly Crest House & Gardens to:
• Share the aesthetic experience of the estate;

• Educate visitors about the history and significance of the events, people, objects and culture of Kimberly Crest;

 • Inspire in others the vision and leadership in education, philanthropy, community and human values exemplified by Mary Kimberly Shirk. 

The 7,000 square foot, three-story chateau sits on a six and one quarter acre estate two miles south of downtown Redlands, at 1325 Prospect Drive, and is enjoyed by more than 11,000 visitors annually.

Originally built by Mrs. Cornelia A. Hill, a widow from New York State, the home was purchased by J. Alfred Kimberly (a co-founder of the Kimberly-Clark Corporation) and Helen Cheney Kimberly in 1905. Their widowed daughter, Mary Kimberly Shirk, lived in the home from 1920 until her death in 1979.

Kimberly Krest House and Gardens
The house's unique features include a French revival parlor complete with gilt furniture and silk damask wall coverings. Terraced Italian gardens, orange groves and ponds surround this historic landmark home. The lily ponds feature radiant Koi; vivid red, pink and yellow lilies against deep green majestic lotus blossoms; and papyrus. In 1998, KSA was made an honorary member of the Inland Koi Society who maintains the lily ponds at Kimberly Crest.

In 1963 there was a community effort to raise money to purchase Prospect Park (a 39 acre botanical park east and adjacent to Kimberly Crest) for the City of Redlands. To motivate support for this project, Mrs. Shirk promised to give her home to the "people of Redlands," if the needed money was raised. The park was acquired in 1968. The following year the Kimberly-Shirk Association, a non-profit corporation was formed. In her will, Mrs. Shirk left the house to the Association for the people of Redlands.

Photos of Victorian Houses

Victorian houses are architecturally commonly referred to as the Victorian Style but this "style" is really a period in history. The Victorian era roughly corresponds to the time when Queen Victoria ruled Britain (1837 to 1901).
During this time, industrialization brought many innovations in architecture. There is a wide variety of Victorian styles, each with its own distinctive features.

Types of Victorian Styles Include: Second Empire, Queen Anne, Stick, Shingle, and Richardsonian Romanesque.

Photos of Victorian Houses:

Pine Meadow, Connecticut


Cape May - New Jersey


West Cliff Inn, Santa Cruz


Washington, Georgia


Seven Sisters Inn, Ocala Florida

Victorian Jewelry

Victorian Jewelry
The Victorian era spanned 64 years and is divided into 3 major periods, The Early Victorian Period, or Romantic Period, spanning 1837-1860; the Mid or High Victorian Period, also known as the Grand Period spanning 1860-1885; and the Late Victorian Period, or Aesthetic Period spanning 1885-1901.

Jewelry of the Early Victorian Period 1837-1860

The early years of the Victorian era were described as romantic or sentimental and reflected the youth, courtship and marriage of the young queen, Victoria. Britain was in a state of industrial euphoria, obsessed by mechanical gadgets.

The world of nature, inspired from styles of the Renaissance and Middle Ages, was still a very popular motif in Victorian Jewelry. Bouquets of flowers, branches, leaves, grapes and berries remained fashionable. There was a symbolism associated with flowers that carried through the first half of the century. Snake and serpent motifs reached their peak in the 1840's. The snake used as a decorative motif symbolizes wisdom and eternity. Victorian jewels were often set with gems that were attributed with magical properties and special meanings. Seed-pearls denoted tears, and pink coral could protect one from evil and disease. Love tokens and souvenirs from travel or events were cherished.

The most popular metals incorporated into the jewels of the era were 18k to 22k gold, tricolor gold, silver, rolled gold and electroplate. Before the process of electroplating was discovered, less expensive jewelry pieces were produced using pinchbeck. Electroplating produced far better results, as it covered the entire surface of an object with a film of gold making it superficially indistinguishable from the real thing. Advancements were also made in the development of imitation stones. Parian, an ivory imitation made from a type of porcelain, was carved and used for Victorian brooches and clasps.

Most of the jewelry in the Early Victorian Period was hand manufactured, but the industrial revolution was introducing methods of manufacture that could greatly speed production. In 1852 a method for cutting and stamping settings was developed. This allowed entire pieces of jewelry to be made quickly and very inexpensively.

In the late 1830's to early 40's, lady's clothing fashionably covered all of the body. High necklines and bonnets covered the ears, therefore, necklaces and earrings were not often worn. Extremely large brooches were in vogue, and worn at the neck during the day, or at the low décolletage, often combined with fresh flowers, for evening wear. Adornment of the hands and wrists became increasingly important, with Victorian rings and large bracelets designed to make the hand look dainty and feminine.

Gold and silver Scottish Victorian brooches, often depicting the foot of a grouse or a thistle, began to appear throughout Britain after Victoria and Albert bought Balmoral in Scotland in 1848. Multi-colored agates were common accents. Many were set with Cairngorm's, a variety of golden smoky quartz found only in the Cairngorm Mountains. Cairngorms are no longer mined and today either citrine or smoky quartz is used as a substitute.

The British government did not require jewelers to use any hallmarking system during the 19th Century, so a characteristic of jewelry made during this time was a lack of a maker's mark or quality stampings. Before 1854, most of the jewelry produced was 18k. After 1854, 9k, 12k and 15k were made legal in order to compete with international markets. This information is a great aid in circa dating.

In the 1850's lady's clothing took an elegant turn. Hair was worn, parted in the middle, in an elegant upsweep, which lent itself to diadems becoming popular and we see the reappearance of earrings. Bracelets remained in fashion, worn alone or in pairs. The tours of Egyptian tombs, offered by Thomas Cook, led to a popular Egyptian Jewelry Revival. Fortunato Castellani, was inspired by the ancient world and produced a collection of "archaeological" jewelry that fetched enormous prices throughout Europe.

The most widespread gemstones used in jewelry during the Early Victorian Period were diamonds (rose-cuts and brilliants), amethyst, pink and golden topaz, turquoise, chalcedony, coral, garnet, ruby, seed pearls and cameos. Cameos were fashioned out of many elements, including shell, lava, coral and micro-crystalline, layered quartz varieties.

Mid Victorian

What started as a decade with optimistic expectations, ended abruptly for England. In 1861, Victoria's mother, The Duchess of Kent passed away, followed later in the year by the passing of her beloved husband Prince Albert. Victoria and the nation were stunned and devastated by grief.

At the same time, in the United States, the first shots were fired marking the beginning of the Civil War. What was expected to be a short conflict, raged into years of battle.

On both sides of the Atlantic, lockets became a very important fashion accessory. They held the memory of a dear one close to the heart. They could contain locks of hair or early examples of photographs (daguerreotypes), kept in secret compartments. Victorian lockets were often suspended from "book chain" necklaces and adorned with taille d'epargné style enamel work. Book chain necklaces had a dual purpose;when these flat chains were removed at night, they could be used as a bookmark!

Victorian mourning jewelry and clothing followed a strict protocol. After a year of full mourning (requiring all black jewelry and clothing), half-mourning colors such as gray, mauve, or purple were allowed back into the wardrobe. Jet, Onyx, Gutta-Percha, Vulcanite, French Jet, and Bog Oak were common materials utilized for mourning jewelry.

In 1865, America was hit with another dismal blow. President Lincoln was assassinated, a mere month into his second term;death was an overwhelming reality of life during Victorian times.

Travel and exploration of ancient sites became easier as the century progressed. There was a continued fascination with Egyptian and Etruscan Revival pieces, but in the 1870's the United States made some discoveries that influenced the trends. The Treasure Vaults of Kurium resulted in the popularity of Phoenician inspired crescents; Victorian crescent jewelry was enameled, jewel encrusted, and adorned with granulation. The crescent motif, fashioned into brooches, earrings and pendants remained popular until after the turn of the century.

It was during the Victorian era that opals first gained their reputation for bringing bad luck to the wearer, other than being worn as a birthstone. It's thought that Sir Walter Scott originated this concept in a best selling book, titled Anne of Geierstein , about an opal hair ornament that brought catastrophe to its owner. After a huge discovery of opal was made in Australia (a British Territory) in 1870, Queen Victoria herself tried to dispel the superstitions surrounding opals. By 1886, opals had lost much of their unlucky reputation and were being used in the newest Victorian designs.

In the late 1880's it became a trend to take the ornately hand pierced cock covers from watches made in the 1600-1700's and fashion them into earrings, bracelets and pendants. This was appropriately called "Cock Cover Jewelry". The cock covers protected a watch's balance's wheel and staff. They were usually made out of a gilded brass.

Popular gemstones in the mid-Victorian period were amethysts, cabochon garnets, crystal, emeralds, diamonds, onyx, opal, pearl, ruby, black glass, bog oak, jet, ivory and tortoise shell.

Silver jewelry, both plain and oxidized, became very popular in the late 1800's. The discovery of silver in Virginia City, Nevada in the 1860's greatly reduced the price of silver and provided a source for the metal needed to create many of these designs, which reflected a growing middle market. Both low and high karats of gold were also used extensively. Engraved bangle bracelets, monogram and name brooches and sentimental lockets developed a more whimsical character in the late 1880's. Acorns, anchors, monograms, hearts, bees, bells, birds, swans, stars, sphinxes and daisies were all in vogue.

Late Victorian

The early years of the Victorian era were described as romantic or sentimental and reflected the youth, courtship and marriage of the young queen, Victoria. Britain was in a state of industrial euphoria, obsessed by mechanical gadgets.

The 1890's were exciting, prosperous and ground-breaking times in our history. Women were increasingly involved in the business world and the stock market. Workers generally enjoyed much more leisure time, making entertainment a thriving business. Darwin's controversial theories on evolution were widely publicized. The automobile was revolutionizing transportation!

Throughout the 19th Century exhibitions played a major role in introducing the public to innovations in art and industry. To celebrate the 400th Anniversary of the discovery of the United States, Chicago hosted the 1893 Colombian Exposition. The highlight of the show was electricity! Visitors to the show were awestruck by fabulous, illuminated displays by some of America's top designers like Tiffany and Gorham. Case after case of Victorian chains, rings, bracelets, earrings, and watches were met with great enthusiasm. The jewelry was lighter and on a smaller scale than in previous years. Clothing was getting lighter as well. Heavy Victorian brooches were replaced by smaller pins scattered on the bodice of a dress. Diamond pins were often worn in the hair for evening. Small stud earrings were desirable as latest Victorian hairstyles were exposing the ears.

The manufacturing of Victorian jewelry had shifted from hand-crafting to mass production by machine. This suited the growing demand of consumerism by an emerging middle class. Machine-made curb-link bracelets, often with dangling hearts and keys were first introduced at this time. The revival motifs were still wildly popular. Crescents and Etruscan and Egyptian inspired jewels were being extensively produced. The Darwinian controversy and numerous botanical discoveries led to Victorian jewelry designs that reflected the natural world. Insects, like gem-set butterflies, enameled beetles and gold houseflies were in great demand. Hunting and sporting motifs were also well-liked.

Activities for women such as bicycling and golf lead to dramatic wardrobe changes. To keep the hands free, long chains held Victorian coin purses, watches and lorgnettes. Whistle bracelets were a must for ladies who took long rides by themselves. If help was needed, they could be heard within a radius of 2 miles!

The Royal Family still had an influence on fashion. Victoria's daughter-in-law, Alexandra was responsible for trends long before she became queen. The choker style necklaces she wore became popular throughout Europe and America. Pearls were another of her passions, which made them even more desirable to the general public. Prince Edward's love for horse racing popularized the horseshoe motif as a good luck charm.

In 1890, Charles Dan Gibson introduced "The Gibson Girl". His drawings portrayed Victorian women in a new light, which reflected their changing role in society. The "Gibson Girl" was independent, fun-loving, self aware and self assured! The photograph on the left depicts Alice Roosevelt, daughter of President Roosevelt, reflecting the Gibson attitude. Victorian hair combs were essential accessories for the hair styles the "Gibson Girl" inspired. They were often made of tortoise-shell embellished with precious metals, pearls and gems.

The earliest examples of Victorian solitaire diamond rings, set in both gold and silver were seen in 1895. Discoveries of diamonds and gold in South Africa helped supply the trend. Victorian stomachers (large brooches worn on the midriff) became a favorite for evening attire. The manufacture of class rings became a thriving business.

The most popular gemstones in the late Victorian period were amethyst, aquamarine, chrysoprase, chrysoberyl, opals, moonstones, sapphires, turquoise, peridot and rubies. Demantoid garnets from the Ural Mountains are occasionally seen. They were often mis-identified as olivine. Silver and oxidized silver continued to be popular metals for Victorian jewelry pieces, as well as gold and rolled gold. In the late 1880's, advancements in jewelry manufacturing made platinum easier to work. It was a favorite for diamond mountings.

Queen Victoria passed away on January 22, 1901. Although there were dramatic changes in the world, socially and industrially, her legacy lives on through the numerous examples of Victorian jewelry created during her 64 year reign.

Her son, Prince Edward, became Edward VII upon her death and reigned until his death in 1910.

Saint Valentine in the Victorian Era

Saint Valentine
During the Victorian era as advances in printing spread, Valentine cards became popular. The modern postal service implemented the penny post, which also made it easier to mail written Valentines. (Before that time, postage was so pricey that most cards were delivered by hand.) 

In 1840, a woman by the name of Esther A. Howland sold the first mass-produced Valentine cards in America. Her first year of business brought an unexpected $5,000 in cards, and larger companies followed suit almost immediately. Howland's cards did away with the laborious task of making homemade valentines. 

Prior to her business, Victorian lovers made a number of different cards: pinprick valentines, made by pricking tiny holes in paper with a pin to resemble the look of lace; Cutout valentines, lace-look cards made by folding paper several times and cutting out a lace design with small, sharp scissors; acrostic valentines, which had verses in which the first letters in the lines spelled out the beloved's name; and rebus valentines, verses in which small pictures took the place of some of the words (e.g., an eye instead of "I"). 

Beautiful handmade Valentines were often small works of art, richly decorated with silk, satin or lace, flowers or feathers and even gold leaf. 

Some of the more unusual valentines were created by lonely sailors during the Victorian era; these unique cards used seashells of various sizes to create hearts, flowers and other designs or to cover heart-shaped boxes. Create your own Victorian valentines this year, or consider hosting a Victorian valentine-making party for your friends. 

Have everyone bring their own Victorian clip art or stickers, and you can provide the rest of the materials. You can find Victorian clip art in craft stores, books, stickers, and on wrapping paper. You can look for clip art from old greeting cards, magazines, etc. 

See Victorian Valentine Images
Website of Saint Valentine

Tea with the Queen: A Victorian Menu

Tea
Henry James wrote, "There are few hours in life more agreeable than the hour dedicated to the ceremony known as an afternoon tea." 

Afternoon tea was invented by Anna Duchess of Bedford (1783-1857), one of Queen Victoria's ladies-in-waiting. 

During this time, the noble classes ate large breakfasts, small lunches and late suppers. 

Every afternoon, Anna experienced what she referred to as a "sinking feeling," so she requested that her servants bring her tea and petite-sized cakes to her boudoir. 

Many followed the Duchess' lead, and thus the ritual of afternoon tea was birthed. In fact, a culture of sorts emerged around the tradition of drinking tea. 

Fine hotels began to offer tea rooms, while tea shops opened for the general public. Tea dances also became popular social events at which Victorian ladies met potential husbands. 

Our special "Tea With the Queen" menu includes our favorite tea recipes, as well as one recipe for Victorian lemonade, as an alternative to tea. 


Tea Sandwiches
Tea sandwiches are traditionally light, delicate sandwiches sliced small enough to be picked up with the fingers or a pair of sandwich tongs. Teas sandwiches can be cut into triangles or, using cookie cutters, shapes for special occasions. White or wheat bread, with the crusts cut off, can be used for these sandwiches. The following recipes are modern interpretations of Victorian tea fare.
Choice of bread, sliced
Butter
Seedless cucumber
Canned tuna, drained
Tuna seasoning (your choice)
Mayonnaise
Cream cheese
Smoked salmon
Eggs, boiled (or egg salad of your choice)
Watercress
Choice of garnish, if desired Cucumber Sandwiches:
1. After cutting off the crusts of the bread and cutting the bread into triangles or shapes, butter both sides of the bread.
2. Cut seedless cucumber (sold in gourmet supermarkets, always wrapped in cellophane) into very thin slices, and place between bread slices.
3. Garnish if desired.
Tuna Sandwiches:
1. Mix one can of tuna (drained) with tuna seasoning and enough mayonnaise to make a thick spread.
2. Spread on prepared slices of bread. You may add thin slices of cucumber if desired along with garnish.
Salmon Sandwiches:
1. Spread cream cheese on prepared slices of bread.
2. Place thin slices of smoked salmon (Nova is particularly good) between slices of bread.
Egg Sandwiches:
1. Mix sectioned boiled egg and mayonnaise (or use store bought egg salad) and season as desired.
2. Spread on slices of prepared bread.
3. Add thin slices of cucumber if desired, along with garnish.
Watercress Sandwiches:
1. Spread cream cheese on prepared slices of bread.
2. Rinse and dry watercress and lay between slices of bread.
3. Garnish if desired.


Scones with Lemon Curd and Clotted Cream
 
Scones are traditionally served with afternoon tea and accompanied by lemon curd and clotted cream. You can add a variety of treats into the batter, such as raisins, fresh apple bits, orange peel, cranberries, and chocolate chips. Lemon Curd is a traditional spread for scones, and is usually served with Devonshire (or clotted) cream. Our lemon curd is rich and smooth, and can be kept refrigerated for up to two weeks. Unfortunately, Americans cannot make clotted cream or Devonshire cream, as we do not have the same breed of cows as in England. Instead of buying an expensive import, ERAS offers a simple recipe for clotted cream, which is perfect for spreading on scones.
2 cups flour
1 tablespoon baking powder
1 cup and 2 tablespoons sugar
1/2 teaspoon salt
6 tablespoons butter
1/2 cup buttermilk (or milk)
1 lightly beaten egg
2 large eggs
1/2 cup lemon juice
1/4 cup butter
1 cup heavy cream
2 tablespoons Confectioner's sugar
1/2 cup sour cream To make scones:
1. Mix baking powder, 2 tablespoons sugar and salt and cut in 6 tablespoons of butter until the mix is crumbly.
2. Pour in the buttermilk until the dough is sticky. Be careful not to overmix. The dough should cling together.
3. Turn out onto a floured surface and shape drop or use a biscuit cutter to form biscuit sized scones. The secret of tender scones is a minimum of handling.
4. Place on an ungreased cookie sheet and brush with egg for a shiny brown scone.
5. Bake at 425 degrees for 10-20 minutes, until light brown.
To make lemon curd:
1. Wisk 1 cup sugar and 2 large eggs in a bowl until blended.
2. Sift in 1/2 cup fresh lemon juice.
3. Pour into a saucepan and cook over low-medium heat stirring constantly for 20 minutes. Do not let the mixture come to a boil (lest it curdle or burn), but allow it to gradually thicken.
4. When the mixture thickly coats the back of a metal spoon, remove pan from heat and stire in 1/4 cup butter until melted.
5. Pour the mixture into a bowl and cover with plastic wrap. Refrigerate the mixture for at least 4 hours. The lemon curd will thicken as it cools.
To make clotted cream:
1. Mix 1 cup heavy cream and 2 tablespoons Confectioner's sugar using an electric mixer. Whip until stiff peaks form.
2. Gently fold in sour cream and mix until thick.
3. Place in refrigerator and chill until time to serve. If made ahead of time, it will keep in the refrigerator up to 4 hours. 


Cherries Jubilee Cake
Many special dishes were created in Queen Victoria's honor during her 64-year reign. Among them was a dessert called Cherries Jubilee, which was invented for Victoria's Diamond Jubilee celebration in 1897. This Jubilee Cake, which uses Cherries Jubilee as a filling, is a truly fancy dessert in grand Victorian style.
5 eggs, separated
1/4 cup sugar
1 tablespoon lemon juice
3/4 cup sugar
1 cup flour
1/4 teaspoon salt Cream cheese filling:
8 oz. cream cheese softened
1/2 cup confectioners' sugar
1 cup heavy cream
2 tablespoons cherry jelly
1/4 teaspoon almond extract
Cherry filling:
1 quart pitted black cherries
1/2 cup claret
1 cup or less sugar (to taste)
3 tablespoons cornstarch
1/4 teaspoon cinnamon
1/4 teaspoon ground cloves
1/2 teaspoon lemon juice
To make cake:
1. Preheat oven to 350 degrees Fahrenheit.
2. Beat the egg whites until they stand up in soft peaks.
3. Beat in the 1/4 cup of sugar a tablespoon at a time.
4. Without washing the beater, beat the egg yolks with the lemon juice until thick and lemon-colored.
5. Gradually beat in the 3/4 cup of sugar.
6. Pour the yolk mixture over beaten egg whites and fold together gently with a spoon or spatula until well blended.
7. Sift the flour and salt together and fold into the egg mixture.
8. Spoon the batter into two unbuttered 9-inch layer pans.
9. Cut through the batter gently several times to break any large air bubbles.
10. Bake about 30 minutes. Test by pressing lightly with a finger. If the cake springs back, it is done.
11. Invert on a wire rack and cool.
To make cream cheese filling:
1. Cream the sugar and cream cheese together.
2. Add remaining ingredients and beat until thick.
To make cherry filling:
1. Dissolve the sugar in the claret and pour over the cherries. Let stand for several hours.
2. In a small bowl, mix the cornstarch with 3 tablespoons of the cherry juice.
3. Heat the cherries in a sauce pan to the boiling point.
4. Lower heat and stir in cornstarch mixture. Simmer, stirring constantly until thickened.
5. Remove from heat, add spices and lemon juice and allow to cool.
To assemble cake:
1. Place one layer of sponge cake on a cake platter and spread a layer of cream filling about 3 inches wide around the perimeter of the top of the cake.
2. Cut out the center (in a heart shape if you are using heart-shaped pans) of the other layer, leaving a 3-inch border.
3. Put aside the center piece you cut out. Place the layer with the cut-out center on top of the other and press down to make the layers stick together.
4. Decorate by placing a paper doily on top of the cake and sifting confectioners' sugar over the doily.
5. Carefully remove the doily and fill the center of the cake with the cherry filling. 

mercoledì 29 gennaio 2014

The Grand Victorian Bed & Breakfast Inn

The Grand Victorian Bed and Breakfast Inn
The Grand Victorian Bed and Breakfast Inn 

402 N Bridge St
Bellaire, MI 49615
(877) 438-6111
 
The Grand Victorian is a stellar example of why I'd rather stay at a local B&B than the Ritz when I'm traveling. First off, Linda and Ken are amazingly warm and gracious; you will feel like family when you stay in their home. Linda is a great cook, and was more than happy to accommodate our vegetarian diet (she made us faken, which is veggie bacon!) and Ken has done a lot of research into the history of the house and the families that have lived there. He told us the story of the family that built the house over breakfast. Love!

Second, the mansion itself is spectacular, and one of the finest examples of Queen Anne architecture in Michigan. There are many original details in the house (original moldings and woodwork, lighting fixtures, etc) so if you are a fan of Victorian era style and furnishings, this place will be heaven for you.

Third, the house is less than three blocks from Short's Brewing Company (which is why we chose this B&B in the first place). Additionally, they joined Short's mug club, so you can use their mugs and get a dollar off every beer!

Like most B&Bs, this place is not kid-friendly. Also, don't expect WIFI or even a TV in your room. Do expect, however, to be transported back in time to charm and romance of the Victorian era without having to wear a corset!

Image of Victorian House

Image of Victorian House. Victorian Style: Beautiful Home Design. If I could have this style home with all the things I've ever dreamed of in a house, I'd be set.

Victorian House - Image by Pinterest

Modern Victorian Interiors

I am currently restoring an 1850's Victorian End-Terrace house and take inspiration from both modern and traditional photo's like the ones pinned on this board.

Look the photos of the Modern Victorian Interiors.

Modern Victorian Interiors

Images of Victorian Cottages

Amazing images of Victoria Cottages:

Tiny Victorian Cottage

Victorian Cottage
Early Victorian Cottage


The Cottingley Fairies

Fairies
While the story of the Cottingley Fairies occurred in the 1920s after the close of the Victorian era, I think it is interesting and relevant to the role of photography in the portrayal of real versus imaginary.

In 1917, two young cousins in England, Elise Wright and Frances Griffith, borrowed Elise’s father’s camera and told him that they were going to take pictures of the fairies in their garden. Once these photographs had been developed, Elise’s mother Polly Wright, who was a spiritualist, believed the girls’ story that the fairies were indeed real and took them to a lecture she attended on spiritualism. After showing them to the speaker, a professional photographer, Harold Snelling, declared that the fairies in the photographs were real.

Even more interestingly, Arthur Conan Doyle used these photographs to show the public that fairies existed. Even after many individuals pointed out that the fairies in the photographs looked like pieces of paper, a large number of people still believed the photographs were real. Only in 1981 did Elise Wright confess that the fairies in the photographs were in fact paper cutouts based on the fairies from a children’s book called Princess Mary’s Gift Book. Elise said that she had sketched the fairies from the book, made paper cutouts, and held them up in the photographs with hairpins.

Because individuals like Arthur Conan Doyle wanted to believe in fairies, they used these photographs to explain their existence. It is interesting that even though it was known that photographic techniques had advanced to the stage where photographs did not always portray reality, people were still misled by these photographs.

Here are the photographs that Elise and Frances took:








Free Victorian Texture or background

Victorian Texture: great design components for both web and graphic design.

Free texture or background about victorian period.

Victorian Texture with flowers


Victorian Texture with roses


Victorian Texture
Green Victorian Texture
Victorian Texture
Black victorian texture

Victorian Interiors

Examples of Victorian interiors.
Victorian Interior


Victorian Interior 1

Images of Victorian houses

Images and photos of the best Victorian houses.
Victorian home designs draw from a variety of styles from Gothic to Italianate. Laden with turrets, porches, and bays and embellished with gingerbread, shingles, and fanciful windows, Victorian home plans are like snowflakes: no two are alike.

Victorian house plans typically feature at least two stories with, with steep complex rooflines. Eaves and gable ends may boast decorative brackets and delicate gingerbread ornamentation.
Thanks to their irregular massing, Victorian floor plans tend to be free-form and rambling. Victorian sub-styles include Gothic Revival, Queen Anne or Eastlake, Stick style, Second Empire, and Shingle style.
Victorian Houses, Southfield, Hessle
Victorian house on High St near Madison
Victorian Children In Coal Mines

Dave's Victorian House Site

Victorian Architecture, house styles

Wedding Cake House Maine
Victorian architecture refers to several styles developed during the reign of Queen Victoria

A common mental image of a "Victorian" home looks much like a dollhouse with elaborate trim and bright colors. But the term "Victorian architecture" actually refers to styles that emerged in the period between 1830 and 1910, during the reign of Queen Victoria. The Victorian era spawned several well-known styles, including Gothic revival, Italianate, Second Empire, Queen Anne, stick style, Romanesque style and shingle style.

The Victorian styles evolved largely from the imposing, elaborate Gothic style, which appealed to the romantic Victorian idea that fashion, architecture and furnishings should be beautiful rather than practical. A wealthy Victorian woman's clothing, for example, involved corsets, hoop skirts and dresses that used yards of fabric. It made sense for the trendy home designs to reflect that excess as well.
Architects took the ideas of Gothic architecture and added French, Italian, Tudor and even Egyptian details. Designers were free to combine the styles to create several different well-known styles -- and combine the styles as they saw fit. As a result, there are few Victorian homes that look the same.
Ideas from the Gothic style may have started the Victorian styles, but a kick from the Industrial Revolution nationalized the trend. Steam-powered sawmills could create elaborate materials cheaper and faster. As a result, late Victorian homes became increasingly ornate. Even lower-income families could afford trim and patterns to turn their existing homes into "folk Victorians."
The Queen Anne style came into fashion in the 1880s, at the height of the mass-production of architectural trim. These elaborate, brightly colored homes are the image most people think of when they picture a Victorian home.
As the Arts and Crafts Movement began to hit America, critics accused the Victorians of needless complexity and clutter, advocating a more streamlined, handcrafted home. The style fell out of fashion, but is still very prevalent in historic communities around the country.
Key Elements
  • Two to three stories. Victorian homes are usually large and imposing.
  • Wood or stone exterior. The majority of Victorian styles use wood siding, but the Second Empire and Romanesque styles almost always have outer walls made of stone.
  • Complicated, asymmetrical shape. Unlike the boxy Greek revival style, Victorian homes have wings and bays in many directions.
  • Decorative trim. Commonly called "gingerbread," Victorian homes are usually decorated with elaborate wood or metal trim.
  • Textured wall surfaces. Scalloped shingles, patterned masonry or half-timbering are commonly used to dress up Victorian siding.
  • Steep, multi-faceted roof or Mansard roof. Victorian homes often have steep, imposing rooflines with many gables facing in different directions. The Second Empire Victorian style has a flat-topped Mansard roof with windows in the side to allow for maximum space inside the house.
  • One-story porch. A large, wraparound porch with ornamental spindles and brackets is common, especially in the Queen Anne style.
  • Towers. Some high-end Victorian homes are embellished with a round or octagonal tower with a steep, pointed roof.
  • Vibrant colors. Before the Victorian era, most houses were painted all one color, usually white or beige. By 1887, bright earth tones like burnt sienna and mustard yellow were in vogue.
Famous Examples
  • Gingerbread House. This Savannah, Ga., landmark was built by Cord Asendorf in 1889. It's considered one of the best examples of Steamboat Gothic architecture.
  • Wedding Cake House. This square brick home in Kennebuck, Maine, was originally built in 1826. Like many homes in the Victorian era, it was covered in wooden Gothic decoration in 1850 to keep up with architecture trends.
  • "Painted Ladies" in San Francisco. The term "painted ladies" refers to Victorian houses painted in three or more colors to embellish their architectural detail. It was first used to describe the colorful homes in San Francisco in the 1978 book Painted Ladies: San Francisco's Resplendent Victorians.
  • Rosson House. Built in 1895, this Phoenix home is a great example of the Queen Anne style and is now a museum. Its detailed trim is often referred to as Eastlake detailing, after furniture designer Charles Eastlake's elaborate creations.

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